QUOTE (kim0922 @ Aug 2 2008, 12:47 PM)

Actually, a review of it mentioned it too!
The Road Hammers take their latest collection, Canadian originated and otherwise, to the streets in style with Blood, Sweat, and Steel. A collage on Montage Music, this is the group's first United States-based release, though in Canada they've already nailed down loads of credits, including Canadian Country Music Awards such as the 2006 Group of the Year (with six 2005 nominations), a Juno, - had four singles rev into Top Ten territory, video successes, and platinum status to their name(s) (ten of these 13 tracks made the merge from that certified CD). And those names behind the band wheel are: Jason McCoy (lead vocals/guitar), Clayton Bellamy (vocals/guitar), Chris Byrne (vocals/bass) and Corbett Frasz on drums.
Lead-off track "I'm a Road Hammer," which jump starts the atmosphere of the album through fast-driving diction like "I'm building a rolling empire of blood sweat and steel," is what lends a line to the CD's title. "Hammer" first peels out with a creative CB announcement of the ride listeners find themselves in.
Bound and determined, the foursome follows a few different paths thematically, (thankfully) not particularly knowing many boundaries. Glancing in the rearview reveals a couple of covers – the runaway classic "East Bound and Down" (driving force of film Smokey and the Bandit) is in fine form, rolling it up and trucking into a rocking Reed rendition. The Jerry Reed romp isn't alone now, with rising current single "Girl on the Billboard," first a successful sign for Del Reeves, also planting itself into the musical mix. As for who new is leading the lyrical trip, much acclaimed writers/artists in their own right such as Chris Knight, Dean Miller (son of the legendary Roger Miller), Paul Thorn, and John Rich, among others, share co-writing credits. McCoy also lends in a pen, as do fellow members Byrne and Bellamy (no known relation to the Brothers, by the way).
As for how they change things up, the sweetly stated "I Don't Know When to Quit," followed by "I've Got the Scars to Prove It," "Nashville Bound," and "Keep on Truckin" are some prime examples.
"Truckin'" shows off some Gary Allan-esqueness by replaying a main riff throughout that is reminiscent of trademark chords in Allan’s “Man of Me,” and McCoy actually shared billing with Allan when they dueted on “Doin’ Time in Bakersfield.” Appropriate, since McCoy hails from it and Allan is oft classified as carrying down that very town's sound.
In "Nashville Bound;" however, they find themselves in Music City – where they "tried to do the right thing, but busted [my] left hand."
Speak of the devil, of prime note is the Hammers' Great American Country reality TV show on about the inner workings of the music industry. The documentary of their travels is produced by none other than Jason Priestley.
Lucky track 13, "Flat tires," closes out the convoy with behind-the-scenes bloopers and such. This says something of their incredibly engaging live shows, which work to further fuel enjoyment of these recorded moments. The on-stage charisma and antics are certainly a sight to see (and hear). Included in those special times are when the men feature one another's feminine sides – background vocals take center stage as take over from the not-present women. Jason McCoy, Michael Knox and Scott Baggett produced this project, and that latter contribution was no small step. Baggett co-produced the (Canadian) original and due to budget disputes, he almost wasn't back for this one. That would've been a very bad thing, considering liner notes thank him for "extra-marital musical counseling, consultation, life coach, and sonic-mid-wifery."
Even those typically wary of four-wheelers on real-life roads shouldn't tire of these songs. So, here's hoping we get to be in the passenger seat for more music and aren't left in the goodbye dust from these high-performance boys.
That is too cool. Thanks for posting this. I knew it wasn't just my imagination.